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Karl Axel-Bissler - The Gateway Full Album

Karl Axel-Bissler - The Gateway Full Album Performer: Karl Axel-Bissler
Title: The Gateway
Style: Techno
Category: Electro
Date of release: 17 May 1993
Country: UK
Label: NovaMute
Catalog number: CD NOMU15
Size MP3: 2884 mb
Size FLAC: 1514 mb
Rating: 4.1

Tracklist

1The Gateway8:14
2The Contest (Heavens Return)6:42

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
12 NoMu 15Karl Axel-Bissler The Gateway ‎(12")NovaMute12 NoMu 15UK1993
INT 826.761, No Mu 15Karl Axel-Bissler The Gateway ‎(CD, Single)NovaMute, NovaMuteINT 826.761, No Mu 15Germany1993

Credits

  • Written-ByKarl Axel-Bissler

Notes

Produced and mixed at Sahib Studios, Sweden.

℗&© 1993 Mute Records Ltd.

Barcodes

  • Barcode (Scanned): 5016025680733
  • Barcode (Text): 5 016025 680733
  • Matrix / Runout: CD NOMU 15 . 1:1 MASTERED BY NIMBUS

Companies

  • Phonographic Copyright (p) – Mute Records Ltd.
  • Copyright (c) – Mute Records Ltd.
  • Produced At – Sahib Studios
  • Mixed At – Sahib Studios

Album

Karl Axel-Bissler. Listen free to Karl Axel Bissler The Gateway The Gateway, The Contest Heaven's Return. 2 tracks 14:55. Primary Artist. Karl-Axel Bissler - The Gateway 1993. Beautiful techno track. Комментарии отключены. Written-By Karl Axel-Bissler. Produced and mixed at Sahib Studios, Sweden. The Gateway CD, Single. NovaMute, NovaMute. INT , No Mu 15. My Carts. Karl-Axel Bissler. Latest Releases. Where the Fields Never End: Revisited. Read More. ВКонтакте универсальное средство для общения и поиска друзей и одноклассников, которым ежедневно пользуются десятки миллионов человек. Мы хотим, чтобы друзья, однокурсники, одноклассники, соседи. Gateway is the debut album by Gateway, a trio composed of John Abercrombie, Dave Holland and Jack DeJohnette. It was recorded in 1975 and released on the ECM label in 1976. The Penguin Guide to Jazz called it a reflective album, but it is by no means sombre stating Abercrombie seems to like the open rhythmic weave and plays acoustically with great confidence and finely controlled timbre and dynamics. Holland is by no means playing at his best but he is incapable of mere journeywork and asserts his

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