» » Grace Jones - Nightclubbing

Grace Jones - Nightclubbing Full Album

Grace Jones - Nightclubbing Full Album Performer: Grace Jones
Title: Nightclubbing
Style: Dub, Downtempo, Synth-pop, Disco
Category: Electro / Soul
Date of release: 1983
Country: US
Label: Island Records
Catalog number: 90093-1, 7 90093-1
Size MP3: 1883 mb
Size FLAC: 2740 mb
Rating: 4.1

Tracklist

1I've Done It Again
Written-By – Barry Reynolds
3:48
2Demolition Man
Written-By – Sting
4:04
3I've Seen That Face Before (Libertango)
Written-By – Astor Piazzolla, B. Reynolds, D. Wilkey, N. Delon
4:28
4Art Groupie
Written-By – Barry Reynolds, Grace Jones
2:40
5Use Me
Written-By – Bill Withers
5:03
6Walking In The Rain
Written-By – Harry Vanda/George Young
4:18
7Nightclubbing
Written-By – David Bowie, James Osterberg
5:04
8Feel Up
Written-By – Grace Jones
4:02
9Pull Up To The Bumper
Written-By – Dana Mano, Grace Jones, Koo Koo Baya
4:40

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
ILPS 9624Grace Jones Nightclubbing ‎(LP, Album, Blu)Island RecordsILPS 9624UK1981
CID 9624, 90093-2Grace Jones Nightclubbing ‎(CD, Album, RE)Island Records, Island RecordsCID 9624, 90093-2UK1987
91 557 9Grace Jones Nightclubbing ‎(LP, Album, Club)Island Records, Bertelsmann Club91 557 9Germany1981
18083100176Grace Jones Nightclubbing ‎(LP, Album)Ariola18083100176Colombia1981
L 37576, L-37576Grace Jones Nightclubbing ‎(LP, Album, RE)Island Records, Island RecordsL 37576, L-37576Australia1982

Credits

  • AccordionJack Emblow
  • Artwork [Cover Painting]Jean Paul Goude
  • Backing VocalsGrace Jones, Jess Roden, Masai Delon, Tyrone Downie
  • BassRobbie Shakespeare
  • Drums, Electronic Drums [Syndrums]Sly Dunbar
  • Engineer [Assistant]Benji Armbrister
  • Engineer [Recording]Alex Sadkin
  • GuitarBarry (White) Reynolds, Michael (Mao) Chung
  • Guitar [Rhythm]Monte Brown
  • KeyboardsTyrone Downie, Wally Badarou
  • Lead VocalsGrace Jones
  • Mastered ByTed Jensen
  • Other [Hair And Make-up] – Jean Paul Goude
  • Other [Jacket] – Giorgio Armani
  • PercussionUzziah (Sticky) Thompson
  • Percussion, Backing VocalsMel Speller
  • Producer, Mixed ByAlex Sadkin, Chris Blackwell

Notes

Recorded and mixed at Compass Point Studio,Nassau, Bahamas.
Originally released in 1981. This is a 1983 reissue (with a Warner Brothers catalog number).

7 90093-1 catalog number is located on the spine.
90093-1 catalog number is located on the rear cover and center labels.

Barcodes

  • Barcode: 0 7567-90093-1
  • Rights Society (A1, A3, A3, B5): BMI
  • Rights Society (A2, B1 to B4): ASCAP
  • Rights Society (B1, B2, B5): PRS
  • Matrix / Runout (A-Side Label): ST-IL-835187-SP
  • Matrix / Runout (B-Side Label): ST-IL-835188-SP
  • Matrix / Runout (A-Side Runout Etching): STERLING STIL 835187 B SRC 1-1
  • Matrix / Runout (B-Side Runout Etching): STERLING SRC ST IL 835188 A 1-1

Companies

  • Published By – Edward B. Marks Music Corporation
  • Published By – Ackee Music
  • Published By – Grace Jones Enterprises, Ltd.
  • Published By – Interior Music
  • Published By – Irving Music, Inc.
  • Published By – Bewlay Bros. Music
  • Published By – Fleur Music Ltd.
  • Published By – James Osterberg Music
  • Published By – Airstream Music Ltd.
  • Published By – Unichappell Music
  • Published By – Editions Curci
  • Published By – Eleven Music
  • Phonographic Copyright (p) – Island Records Inc.
  • Record Company – Antilles Communications Ltd.
  • Distributed By – Atlantic Recording Corporation
  • Record Company – Warner Communications
  • Pressed By – Specialty Records Corporation
  • Mastered At – Sterling Sound
  • Recorded At – Compass Point Studios
  • Mixed At – Compass Point Studios
  • Distributed By – ATCO Records
  • Copyright (c) – Island Records Inc.

Album

Nightclubbing is the fifth studio album by Jamaican singer Grace Jones, released on 11 May 1981 by Island Records. Recorded at Compass Point Studios with producers Alex Sadkin and Island Records' president Chris Blackwell, as well as a team of session musicians rooted by rhythm section Sly & Robbie, the album marked her second foray into a new wave style that blends a variety of genres, including reggae, art pop, dub, synth-pop and funk. The album comprises a mixture of cover versions from artists. Формируйте собственную коллекцию записей Grace Jones. Текст песни: Nightclubbing were nightclubbing Were whats happening Nightclubbing were nightclubbing Were an ice Jones Nightclubbing Label: Island Records 90093-2 Format: CD, Album, Reissue Country: US Released: Original 1981Aug 1987 Genre: free to Grace Jones Nightclubbing Walking In The Rain, Pull Up To The Bumper and more. 9 tracks 38:09. Nightclubbing is the fifth studio album by Grace Jones, released in 1981. It is the second of three post-disco albums that Jones made at Compass Point Studios in the Bahamas and became Jones' commercial breakthrough and also formed the basis of her groundbreaking concept tour A One Man Show. It is the second of three post-disco albums that Jones made at Compass Point Studios in the Bahamas and became Jones' commercial breakthrough and. Songs in album Grace Jones - Nightclubbing 1981. Grace Jones - Walking in the Rain. Grace Jones - Pull Up to the Bumper. Grace Jones - Use Me. Grace Jones - Nightclubbing. Grace Jones - Art Groupie. Grace Jones - I've Seen That Face Before Libertango. Grace Jones - Feel Up. Grace Jones - Demolition Man. Grace Jones - I've Done It Again. Nightclubbing 2014 - download the album and listen online. On this page you can listen to the album, get information about the album, see the list of songs and much more. Most important - you can download the album Nightclubbing to your computer or phone absolutely free of charge, and without registration. Listen online and stay in a good mood. Album: Nightclubbing 2014. Ищете треки из альбома Nightclubbing исполнителя Grace Jones Тогда заходите на наш сайт - слушайте музыку онлайн и скачивайте бесплатно. Астор Пьяццолла, Grace Jones, Compass Point All Stars. Walking In The Rain Grace Jones. Pull Up To The Bumper Grace Jones. Use Me Grace Jones. Nightclubbing Grace Jones. Art Groupie Grace Jones. I've Seen That Face Before Libertango Grace Jones, Астор Пьяццолла. The album comprises a mixture of cover versions from artists including Bill Withers, Iggy Pop and Ástor Piazzolla, and original songs, three of which

Video

User reviews
Larosa
Excellent sound quality from my pressing... zero surface noise and tight rocking rhythms! Great music and great album from the '80's!
Zbr
This is real powerful music here, one of the best records in my collection. This is music that can always lift me out of a muddy mood. I mean, how could it not? We've got Grace here, the Compass Point Allstars, and they're tight as hell of course. From the opening of the first track, the rhythm is slick as sin and Jones' presence is just as infectious.

A lot of Jones' recorded material is cover versions, and I don't know of a single other artist that can improve on the originals without fail every single damn time! Wither's recording of "Use Me" is almost a disappointment after hearing the drama that Jones brings to the song. Flash and the Pan (who?) sound dejected and even pathetic on their recording of "Walking in the Rain" but Jones comes on knowing she's too good for her current predicament, the Sly beat driving her forward, guitars crashing in as she delivers the chorus lines. The synth solo toward the end is one of the most chilling and understated solos I've ever heard. The title track, a take on the Bowie/Pop song, is an atmospheric masterpiece and is a startlingly cold moment in the middle of the record. The Jones original tracks are standouts as well, of course. The classic "Pull Up to the Bumper" is one of the few actually sexy songs about sex, perhaps due in part to her abandoning any attempt at euphemism only a short while into the song.

I've inadvertently been writing only about songs from the first side which leads me to my only gripe being that the second half feels energized than the first, but only by comparison. It is an overall more subdued but by no means lesser affair. "Demolition Man" is the one oddity balancing out the second side, being one of the hardest rocking songs I've ever heard, let alone just on the album.

You can pick out this album for like $4 and it's worth so much more than that so their's really no excuse to not pick this one up. You deserve this in your collection.